ARE YOU SIMPLE?!

new artwork: Radiance

Welcome to the Art Of Life podcasts!

Hi beautiful human!

This is one of my very last mailouts/ podcasts here on my website: do join me now on Patreon, if you want to stay in touch with what I’m doing:

This podcast is on simplicity… Thank you from my heart for all your support over the years with my blog and podcast: you’ve helped keep me going all this way!

simplicity…

new artwork: Radiance (detail)
You can still join this summit for the final days, including my talks with Sama

The Embodied Shakti Summit continues, with the final closing ceremony on Monday. You can hear my interviews with Sama on Sunday, as well as attend a beautiful drawing workshop with me – see below.


You can still join this summit for the final days, including my talks with Sama
Click here for the event page on Facebook

new artwork: Radiance (detail)

THE NEW SORA

Tomorrow, The School Of Real Art will be launching a brand new, super-yummy free sign-up course, and we’ll be taking down the two current free courses.


new artwork: Radiance (detail)


LIVING IN THE GIFT

Inspired deeply by the Living In The Gift course with Charles Eisenstein, I’ve been setting up a website of the same name, to gather conversations about what it really means to live in our gifts – and how we can align more with all of our gifts.

The site is here – and with Charles’s blessing, I’m calling on other Living-In-The-Gifters to contribute towards this project.

Please contact us via the site, if you’d like to share a conversation – in video, podcast or written format – we’d love to hear from you!

Thank you for listening in, thank you for witnessing, and for being there – your presence and support have always been immensely enriching for me,

Tante belle cose,

***THE END ***

  • My art school website has moved, and is now part of this website: see here. You can also get access to all new course material as it unfolds, via Patreon.
  • A selection of my art is on Etsy – but see all paintings currently available in my catalogue
  • Art holidays at my Italian arthouse are on VAWAA
  • Join @clareartista now on the Steemit blockchain/ d.tube/ d.sound/ Partiko

10 Basic reasons why not-having-money is an incredible gift

Hi dear friend – a blessed midwinterfest and beautiful new year to you, and welcome to The Art Of Life blog-newsletter-podcast-blog-whatever-you-want-to-call it…

This is a video about why not having money can – counter-intuitively – be an incredibly enriching experience: in it, I go into ideas like why are we pulled along by money-gurus who insist that if we just push harder or present more cleverly we’ll be rich (this only works for a specific percentage of people), why doesn’t the world value art much more than it does, how can we find better platforms when the mainstream is censoring or diminishing us, or not valuing us…

Meanwhile, here are 10 basic reasons why not having money is an incredible gift:

  1. It helps us to appreciate the value of what little we do have.
  2. It helps hone our focus significantly, and to prioritise where we might have been vague about what we wanted/ where we were headed.
  3. It’s a chance to step off of the conveyor belt of simply-consuming, and into a deeper perspective of ‘what’s going on here, anyways?’
  4. It lets us see that the conventional world might not be valuing what we’re doing – and so we might want to focus even more on our uniqueness and our dreams.
  5. It engages our resourcefulness and ability to adapt, in ways that rarely happen when we have a good steady income.
  6. It can help us see that, actually, the world does not grind to a halt, or implode or turn into chaos and terror, just because we can’t pay a bill.
  7. It gets your engines revving, where you might have been being a tad unenthusiastic or blase about life.
  8. It might even feel lighter and less pressure-full, ironically: if you don’t have money and can’t pay for things, you can avoid all kinds of pressures to join in or conform that, if you have the resources, you might feel obligated to participate in/ contribute to.
  9. It makes you more appreciative of others in difficulty, especially the poor, and it forces you to reach out yourself, in ways that we tend not to when we have all our needs met through transactions.
  10. And finally – having no money brings a kind of quiet and peace into the everyday – an elegant simplicity, that one cannot access to easily when there’s money to be spent…

I’d love to hear your thoughts on this big subject… What with the cost of modern life, the throw-away quality of so many things we depend on, the tightening of online sharing laws, the use of austerity measures to further disempower whole populations – we live in a time where struggling to get by seems to be more of a norm than ever, and our collective values seem to be being eliminated altogether. I’m going to be speaking on multifarious aspects of money and deep creativity, in the coming year.

One of many artworks in my catalogue, see many on Etsy

Also, two big things in the next few days-

a: THE 2 for 1 PAINTING OFFER finishes in just a few days (31st December, midnight CET!)- download my catalogue here, and/ or visit my Etsy shop here – and contact me as directed in the catalogue, if you are interested in a particular piece.

b: MY ART IS BEING REMOVED FROM FACEBOOK AND INSTAGRAM, due to their aggressive, offensive censorship approach (i.e. labelling my paintings and ideas as pornographic – which they very much are not) – I’ll be sharing in the future on Patreon, and also on the new Ko-fi, for folks who are interested in my expressions and offerings….

If you value what I’m sharing, please consider signing up as an ongoing patron, or putting a tip in my tip jar:

As ever, thank you from my heart and soul to all of you who continue  to encourage and practically support my work – you are all so  much a part of what I’m creating – I’m working on new ways to make  my art  available to the people who love it the most, and to combat it being  hidden from and censored by the mainstream.

With much love and gratitude,

***THE HAPPY ENDING ***

  1. Huge gratitude to you from my ♥ if you’ll click on LIKE and/ or comment below! And even more gratitude if you share this – if you know someone who’d be inspired.
  2. Subscribe below and/ or join my newsletter.
  3. Join me on Patreon if you’d like to get more colour, depth, meaning, creative freedom, the good life, the whole woman… and to support an artist creating what they’re meant to create – Patreon is my inner circle, where I share most with my special folks.
  4. My art school website is here, my art is on Etsy.
  5. Social media: Instagram, Facebook – the art school, my artist page
    PLEASE NOTE – I am leaving mainstream social media in the next days – more news soon via Patreon and Ko-fi!
  6. My arthouse is up for sale – the listing is here and I’m also working with the lovely British Owned Property Abroad

creative inspiration podcast number one

This is the first of these podcasts around how we unblock our immense creative potentials as human beings. It’s on FEELING, which seems like a potent place to begin:

Quite unwittingly, our collective consciousness has been pulled into a strangely atrophied and polarised version of ‘feeling’. We’re consistently expected either to numb ourselves to atrocities and/ or to be moved to emotional extremes by theatrical re-enactments of human ‘experience’.

Being consciously sentient, and moving deeper always into that sentience, is such a key role for the creative: without this profound engagement in sensory experience, we really can only be talking about surface matters.

Young Man Creating Him Self painting

Without ‘full-immersion’, we have a shallow interaction with reality: which is to say that if we become more feeling, we start to understand the huge capacity that we have for cultivating harmony and love, for growing energy and making opportunity where there was nothing. We plant seeds everywhere, because we feel their potential, and we know  with every fibre of our being that it’s simply good.

Woman Of The Moons - Fruit Of The Everymoment painting

There is immense potential in what we become – that more-than-the-sum-of-the-parts – when we feel and know and sense as we were born to.

Let me know your response in the comments below – I’d love to hear how feeling is part of your artistic practise and lifestyle.

 

 

As ever, it’s a joy to be in touch with you – loads of really happy creative wishes, and speak to you next month, if I don’t see you on one of the links below…

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***THE HAPPY ENDING **

      1. I now make monthly public posts via my newsletter and this blog. If you’d like to be notified of this, subscribe to this blog, and join my newsletter.
      2. Join me on Patreon if you’d like to hear/ see/ read much more: that’s my inner circle, where I share the most with my very special folks.
      3. Please let me know you’ve seen this post by clicking on the heart symbol and/ or commenting below – and please share it if you know someone who’d be inspired! ❤
      4. My website is here, my art is on Etsy, The Real School of Art is here, my books on Lulu and Blurb, and art holidays on VAWAA.
      5. Social media links: Instagram, Facebook – the art school, my artist page, the Insider’s Guide To Guardia book page, Twitter – clareartista

rare podcast!

Hi – here is an occasional podcast – if you are interested in what I am doing, join me via one of the links below – I look very much forward to having you in my inner circle.

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***THE HAPPY ENDING ***

  1. I now only make rare public posts. If you’d like to be in touch more often; join my newsletter HERE or join me on PATREON
  2. Please let me know you’ve seen this post by clicking on the heart symbol and/ or commenting below – and share it if you know someone who’d be interested ❤
  3. My website is here, my art is on Etsy, The Real School of Art is here, my books on Lulu, art holidays on VAWAA.
  4. Social media links: Instagram, Facebook – the art school, my artist page, the Insider’s Guide To Guardia book page.

I WANT YOU ALL TO HAVE MY ART!

I’m making some huge shifts in energy and work this winter: selling my beautiful Arthouse; opening HUGE discounts on my paintings for my patrons and clients; holding an ETSY sale to allow more people access to my art; sending out a special intro offer for the Real School of Art; introducing some exciting new patron rewards (creative-life-coaching!) on Patreon; introducing new payment plans on my art; getting stuck into my Live Like A Happy Artist book series again… oh, and establishing my OOCO funky used clothing shop!

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send a private message if you want more info about Via Dietro Gli Orti 37

GO READ MY NEWSLETTER

To find out all about these stories!

frontpagecircle Clare xx

 

 

 

 

6 STRONG REASONS WHY YOU SHOULD STEP INTO THE VOID…

It’s my birthday week again! And this is always a beautiful time to reflect on all that I have, all I’ve achieved, all that is coming true of my dreams.

This year is fricking spectacular: the freedoms I sought when I stepped out of what precious little security I had had in Scotland… The freedom was this, and it is now here, as solid and mysteriously epic and wildly magical as I could’ve ever glimpsed in my visionary imaginings: my own home; the deepest and most fulfilling of loving partnerships; my time filled with art and creative living, love and beauty; my view each day as glorious and inspiring as a panorama could ever be; the liberty to express myself deeply and meaningfully in a great spectrum of ways, as the mood takes me; being rewarded for what I do and am – financially yes, but also with friendship, community, heartfelt appreciation; people being inspired by what I do and believe in; being able to contribute to the world, to the universe, in the fullest of ways that I was born to do…

It’s important for me to reflect on how I got here, and to appreciate how hard I worked for it – how hard it was to get to this: 8 yrs ago when, driving from Scotland with my cat and paintings, all the way to Guardia Sanframondi in Italy… Parking my right-hand drive car – barely remembering which side of the road I was meant to drive on each day… Not knowing even how to pronounce the word for ‘bread’, and walking around the town with that particular sense of vulnerability that comes with being a foreign woman alone in a new country…

It was easy, when I first arrived in Italy, to get drawn deep into the panic of having given up all my taken-for-granted familiarity. Despite the fact that there had been a fire under my arse chasing me to Italy, the first months were full of my dwelling on that familiar discomfort of a place where e.g. I was capable of talking on the phone to resolve a bureaucratic issue… where, even if I was cold and damp and miserable, at least I knew where to buy my vegan-organic goodies, and had friends aplenty to discuss Buddhism and ecstatic birth with.

The superficial mind perpetually seeks stability, pattern, anchoring: if it could, it’d probably put the brain in a jar and have it in a secure room, fed by wires and artificial nutriment. In some ways, we’re heading that way – kids not even allowed to learn from experience that fire burns and falling down on concrete breaks skin; no-one letting germs circulate their home any more; everything packaged and everything truly natural to all intents and purposes outlawed. At the end of the day, it gets good-comfy to be laid back on a soft, sterile sofa with the perfect-coloured cushions, in front of an ever-busy TV screen and munching on sugar and slurping down caffeine to keep us perky – to maintain our ‘interest’ in life.

And it’s nice to have the steady drip of a wage: the knowledge that every single month we will have a familiar amount of money deposited in our lap, which corresponds roughly to the amount that we’ll have to put out into the world. This rhythmic symmetry makes us feel like everything is under control, despite life distractions regularly popping up inconveniently.

What does it mean to throw all that comfort out, and to go out on a limb – to stand at the end of a diving board above a mysterious ocean, and to simply jump: to enter a new country and culture and start a new life from nothing… what happens? What would happen if we gave up all the comforts and trappings, and chose the unknown, the new, the unfamiliar? (Wouldn’t it destroy us? Or fuck our lives up?! Shouldn’t we be fighting with all our domesticated life force, to hold onto what small territory we have?!!)

But seriously: what happens when we up give up an old life and start in a completely new, unfamiliar place? I’ll tell you:

  1. First, it creates a void: a void is something we are all terrified of, and yet it is the space into which the better, the best, the life we REALLY WANT to be living can grow. The void – space to think, feel, to be present in – it’s one of the greatest hidden secrets of our time: the best of us are lured into this mythology of time poverty, and of being full to the brim, overstimulated, and ready for terror, in every moment of every day. We seek all kinds of therapy and antidote to this, from holidays in countries with better weather, to titillation of the senses (hard or soft) and over-indulgence: staying up late or pressing the boundary ever-so-gently, but never stepping outside of it. Ultimately however, we all seek peace and gentleness – we want to be more sensitive and quiet, and we want our day to be full of love and significance: to have this, we need the space, the void. There is no room, otherwise, and to cultivate this space, we have to wean ourselves out of the fear of not being filled up. We have to allow life to open up around and in front of us, rather than clawing to get back in the box we’ve made for ourselves.
  2. It makes us realise what inner resources we have – because we have to actually draw on them; use them. In a comfortable life, we rarely challenge ourselves beyond the fluffy yum-numb of our routine. It feels like fulfilment – but it really isn’t: the human soul needs to experience friction and challenge in order to grow, in the same way a tree needs natural soil and wild weather to get it to its potential.
  3. It makes us see that we can actually reinvent ourselves; change, travel, upheaval – particularly when they are consciously chosen rather than imposed on us – are the most useful of tools to get us to stretch our minds into what we might also be/ achieve/ dream of. Staying at home can be satisfying to a degree, but the longer we don’t stretch our legs or hearts or energy, the more accustomed we become to the atrophied version of our self which we’ve elected to prioritise.
  4. It makes us work hard; on ourselves, on our work, on our life and friendships… There is a profound satisfaction in having to make new connections, networks, structures to hold us; there is the deepest meaning and beauty in our having to build a new household, in having to harmonise a chaotic new reality, in having to learn a language and legal system, cultural and religious norms… And that hard work is more honed than it might be if we are living a stagnant life: it is more specific and necessary. Our compulsion fires up our engine, and gets us more streamlined.
  5. It brings us into a realm of raw creative flow. Most lives are full of complacency, and this sense of ‘this’ being ‘all that there is’ – why bother changing anything, if we already have someone to drink coffee and complain about the weather/ our partner/ our boss with? If someone is telling us where to go each day, and we still get to ‘wild out’ on payday by buying a new pair of shoes, or getting drunk and laughing excessively, why would we want to re-accept the power-that-flows-through-all-things-when-we-are-aligned-with-our-life-purpose?! Hmmmmmmn – I wonder.
  6. Possibly most importantly of all: putting ourselves into a new and challenging situation like moving to another country makes us appreciate the value of things: we see how hard it is to find a thing which before was always a bancomat and a supermarket trip away. We being see how communication is so much more than constructed word formations, and that a smile or being touched on the cheek can be profoundly moving, confirming our place in the world. We learn to enjoy what little we have, essentially, rather than seeking more-more-more without questioning whether a thing is really improving the quality of our life. Perhaps our values can even deepen, in time – especially if we’re immersed in a culture which is more rooted in family, spirituality, friendship and nature…

I wanted to make a statement here; yes, about what the positive side of a challenge like moving abroad can be, but also to remind folks that NONE OF THIS COMES ABOUT EASILY OR INSTANTLY OR BY LUCK – NOR CAN IT BE BOUGHT: it has to be earned, slowly and through hard graft, humility, concerted attention and commitment, love and optimism, and by pushing oneself always to be a better human being. We have to know ourselves, and then too, to know craft and hone this self into the best we can be.

I wanted to remind myself, and to folks who are inspired by what I do: none of this happened here by accident, nor was any of it handed to me on a plate. More importantly is that I came from a place of significant fear, grief, illness and imbalance: I didn’t stride over here in confidence like many people assume, throwing it all together in happy nonchalance… I arrived neurotic and shaking, overwhelmed and reactionary, paranoid and terrified, even: nothing flowed well when I got here, and I hated most things about the country and culture. There was a dark night of the soul where I KNEW that I had fucked up phenomenally: that I’d thrown it all away and had nothing, and that I was a mess-up and useless and had sabotaged my future…

And though things got a tad better when I acquired the house, and began settling my roots into this blessed land and my heart into the community, it didn’t get any easier. There was a good 6 + years of anguish and panic, interspersed with tiny blisses and occasional profound beauty… just enough to keep my spirits above the mire, but not always. I struggled with health and social stresses, with financial fears and the strain of trying to stabilise ideas and feelings in a completely different reality.

I want to express this, even if I am repeating myself over the years, because I know that many people don’t ever change their lives because they think that one should be strong, confident, healthy, in equilibrium, solvent, and sure of what one is doing, to move abroad, or to make a big life change. You don’t, you simply have to do it, e basta.

Happiness, freedom, fulfilment grow like plants in a well-tended garden: they don’t appear overnight; they flourish according to whether or not they are planted, and whether or not it’s in the right season and soil, and the good care and attention given to them. They live to their potential not through one big showy action, but through myriad small ones. They yield fruit according to the accumulation of all these tiny attentions and harmonies – and when they are happy and in the right place and time… the fruit is bountiful – and heavenly delicious… And their seeds go on to produce more and more and more life and growth and fruit.

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Much love and creative power to you, Clare xx

 

THE ‘RUDENESS’ OF ARTISTS*

My online art school is up on Teachable – it’s a pretty damn huge achievement for me – though it’s only just phase one of the school (year one)!

The pace I set myself these past 6 months was a bit over-the-top: I had in my head to create a course which would have over 150 videos, and which would take both myself a year to create and the learning-artist a year to complete…
But at the beginning of this month, it was clear that, well, first of all, my schedule filled up with prizes, precious guests, my painting practise, and other important parallel activities… And there was a feeling of fullness already to the draft course, so I slowed to a halt with the making of videos and writing of worksheets…

THEN I realised that I had actually already made a year’s course! Holy guacamole / holy shit! My wonderful guests and patrons helped me see that, rather than my being 6 months behind, I am in fact  6 months ahead! Woohoo for over-enthusiastic ambitions and bloody hard work!

The getting of all these lessons and worksheets – I made 67 so far – into a digestible format for presentation to an audience…. Hmmmmf. That was challenging. It’s all there now, but I had to wrestle with multiple different platforms, contexts, structures, before my eureka moment.

So now the Real School of Art is finally being elegantly led into it’s right stable, as it were – no mean feat, for an artistic creative flow which is like a wild horse galloping along a high mountain top. (Wild horses don’t have much interest in stables, and in performing or behaving well…)

This has been an extraordinary year: the making of this school has been like a process of alchemy; the concentrating of the magic of creative flow, into a series of transformative compounds, medicinal bites to take the ‘artist’ into the real realm of art.

***

Working away like this, made me think a lot about how (real) artists have to occupy a slightly different realm from the average body: we have to step into a space where we disconnect from the humdrum of life, and yet somehow become even more deeply immersed in it.

This makes us – relatively speaking – more volatile than your average being. We slip easily into a transcendental state, or a dreamy thought process… This is the pre-creation state, and is utterly vital to a human being making anything which isn’t firmly anchored in logic and science; it’s the ‘gap between thoughts’ or the hazy fog before the picture clears.

We need to exist there, in order to transmute what we see around us into our art: if we’re awake, we’re working; we are interacting with the world in a completely impassive way, but we are also bypassing a lot of the pointless distraction – the chitterchatter – of the unfolding of the everyday.

This state of being-in-creative-flow becomes more enhanced, more developed, as we mature our practise, which is something to do with why artists, writers, creators, can appear strange, rude, distant, out-of-place… It’s nothing personal* – it’s simply to do with the letting go of line and convention, and of allowing ourselves to be swept into a concentrate ‘letting in’ of energy and inspiration, raw information and inner vision. The fact that we ever manage a ‘normal’ conversation, and a semblance of regular customs, is rather astonishing!

As ever, sign up on Patreon to get immediate access to the Real School of Art in all its glory of draft format (it’s hidden here inside a members-only section of this website) –  and/ or buy the course now on Teachable.

PS Big news coming up soon about VAWAA – Vacation WIth An Artist!!

* Genuine artist space-out should not be confused with actual rudeness from ego-based creative folks, which is usually about the theatre of them pretending to be more important than the average person 

GUARDIA SANFRAMONDI: year 7

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Seven years in Guardia Sanframondi have a big significance: there’s a 7-yearly religious festival (taking place again in the summer of 2017) in which literally the whole town is involved, plus many members of the extended family, world-wide media representatives, curious foreigners.

It’s a festival which shocks those-who-are-easily-shocked at first glance: hooded participants reminiscent of sinister American racist gatherings; bloody chest-beating; the collective following church dogma and having to painfully repent their sins.

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The real event is something else entirely: a collective catharsis with a tangibility which is beautiful – executed with precision and care, love and dedication: 5,000 souls gathering to release all that has happened in the past years; to be cleansed and made new.

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‘Seven years’ also has huge significance in the human growth cycle – we literally replace every cell in our bodies with A NEW CELL, in that time period – EVERY SINGLE 7 YEARS OF OUR LIVES. Think of what that means – of what it could mean, if we were able to consciously harness that creative power… it’s mind-blowing! And it blows away the cobwebs too, from the rigid old school thinking around our limited potentials as humans.

Il mio settimo anno this year in Guardia, and I too feel the deep significance of a cycle well-lived: the energetic wheel is coming round to completion, and all the sacrifice and sweat is bringing riches of good relationship, profound nourishment, harmonious community -an upwards spiral of personal and collective significance.

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So many meaningful conversations and connections, tears and successes, new friendships and celebrations – all of them now deepening, as we enter a period of truly settling into this new dynamic. Guardia Sanframondi has been changed in myriad ways by the incoming cultural flux, and the town continues to react positively and dynamically to all that we bring in – which in turn exponentially grows the well-being of all.

The seeming ’empty canvas’ of the mostly-abandoned centro storico – in this new period of riempiendo – started as something of a melting pot; a cooking experiment, with tons of new ingredients being thrown in willy-nilly, and all mixing and contrasting together – the resulting soup not entirely edible!

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The initial buzz, and resulting chaos, brought about by the TV show in 2012, and then multiplied by the several subsequent transmissions, attracted some really beautiful folks and vibes, but it also attracted (and brought out of the woodwork) a pile of negative qualities. In particular, greed and manipulation; over-excitement about wanting to take advantage of this (presumed at the time) brief window of opportunity to make $$$s without much effort.

It’s a subtle and alchemical work to inspire and nurture and nourish a community to continue: to encourage it to be authentic and responsible, collective-minded and without negative power dynamics.

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photo by Charlotte Sørensen

I’ve been super-disappointed at the various frictions which have come up in Guardia in the years I’ve been here – all seeming so very unnecessary in a win-win-win situation like this – old houses being repopulated, the local economy being stimulated, whilst foreigners find dream homes and idyllic life-styles: what could possibly be found to stress about?! (That’s a rhetorical Q!)

I was talking with close friends this week, about how harmony in community is not something which comes by accident, nor in a static way: perhaps that is an older concept of harmony; simply the absence of chaos/ violence. I think we are in an age where we now know that there is so much more to our presence in the world, and that our authentic presence -our integrity and vision – is something which radiates out into the long-term. Either positively…. or not.

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We’re not educated to look at the far and wide consequences of our actions and thoughts, our intentions and ambitions. But we do live in an age where it is becoming increasingly obvious that everything we do/ are/ consume/ discard, goes out into the world with epic knock-on effect… And that we have both a personal and a collective responsibility to be GOOD, as we’ve never been so bound into rhythms of interconnectedness in the history of time. We’ve never been so dependent on each other for survival and continued evolution: the whole depends on the decisions and actions of the individuals now, today, more than ever.

What I’m saying, is that the tiny, every day actions and words we use, we use either to create, or not to create. But we live in a time where we cannot pretend any longer that life (or our interaction in it) is static; that our influence only goes as far as the end of our fingers and toes, and no further. We are beginning to really wake up to awareness that we can either be channels for energy… or not. But that the world needs our genius, our creative activity, our love and our authenticity and commitment, in order to continue.

photo by Anna Wirazska

photo by Anna Wiraszka

And in order to access those aspects of ourselves, we need to be in a safe, nourishing place.

I am super-heartened by what I see transpiring in Guardia Sanframondi: it is a collection of dreams, held lovingly in the hands of those who want to support those dreams. It’s a landscape being loved anew, and the eyes and hearts of those who perhaps were taking it for granted, being opened.

It’s a brand-new, delicious cultural inter-exchange, like a fabric of glorious bright threads woven thickly or the most wonderful recipe perfectly blended and baked to bring into reality a dish never before tasted.

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At first I thought of this ‘filling up’ of Guardia’s medieval quarter as a practical necessity (quick, before the houses fall down!), and a cultural-economic stimulation exercise.

Now I see it as so so much more: as dreams being woven together to create a collective dream; as the sacred feminine and masculine being honoured and awoken; as individual healing turning into collective healing; as lives liberated – stranieri and locals alike – by shared wealth and feasts and small joys and beauty and mutual, loving respect.

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I also see our individual and collective responsibility as having to call out when manipulative, unscrupulous or aggressive behaviours are trying to take root: the long-term flourishing of any town depends on healthy power dynamics, and on those who will flag up when unhealthy frictions/ conflicts of interest arise. This in turn can lead to resistance, psychological projection, denial, threats… I’ve had more than a fare share thrown at me since coming here!

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But there’s a definite sense right now of the collective being on a more even keel – powered by fulfilment and shared purpose -and that everyone is learning to be more precise and honest in their business, because this creates the greater long-term energy for all parties: the old competitive model of win vs lose, melding into the new cooperative model of win-win-win.

 

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My own body, heart and soul have been healed by these 7 yrs. My quirky house and my quirky relationship with everyone in this town, my intuitive and spontaneous activities (often misunderstood, even by myself) slowly becoming more purposeful and productive, my business developing to a place where I really am working my life purpose and being rewarded for it… and all the time, relationships deepening and enriching beyond even my excessive, positive imagination!

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photo by Kat Tan

Guardia provided me with all the challenges and the nourishment; in equal measure, and in the correct dose – even when I didn’t want to take my medicine.

What we’ve created here together, and what we continue creating, is truly a precious and magical thing, from which an inspired sense of wholeness is radiating out and out to the world.

Bravi, tutti – and a brindisi to more of this!

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Tante belle cose, Clare xx

COMPETITION

PATREON

THE ARTHOUSE B&B

ETSY SHOP

PS The Arthouse Competition 2016 winner will be announced TOMORROW!