INTEGRITY

Hi dear friends – this is a podcast on integrity – in art and in life – and other clareartista news…

Life and work has been incredibly challenging, inspiring, satisfying and awful this year – sometimes it seems like the darker things get, the brighter the colours shine in contrast – that the more wholly challenging life is, the more our potential to be fully integrated in the mystical more-than-the-sum-of-the-parts comes to the fore…

My work is taking a deep turn – I’ve had time whilst recuperating and rebuilding my health, to really reflect on all that I’ve created over the past 30+ years of my art practise – and to quietly claim my confidence in the more profound elements, or perhaps ‘the profound wholeness’, of what my work means in the world.

 

Queendom front cover

There’s a new newsletter sign-up bonus on this website – phase one of a complete transformation – just let me know if you’re already subscribed, and you’d like a copy. It’s an ebook copy of Queedom – art and words on the awakening of the sacred feminine in our time: on how important it is for everyone that women are supported to flourish in all the breadth and depths of their potential.

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It’s based on the Regna book, from my exhibition in the castle last winter (and in italiano). Transforming it into English was spurred on by having to create a special sign-up bonus for my part in an incredible summit on womb-centred healing.

***

I’ll be offline for the whole of October (on Patreon only), taking care of myself, writing up some new plans for big change in my living and working arrangements… I’m looking for the perfect home (simple, affordable, with a beautiful situation and outlook, and a garden), and am beginning to make a plan around finishing and selling the arthouse.

So much good creative vibe to you,

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***THE HAPPY ENDING ***

  1. Huge gratitude to you from my ♥ if you’ll click on LIKE and/ or comment below! And even more gratitude if you share this – if you know someone who’d be inspired.
  2. Subscribe below and/ or join my newsletter.
  3. Join me on Patreon if you’d like to get more insight into my life and work: colour, depth, meaning, creative freedom, the good life, the whole woman… Patreon is my inner circle, where I share most with my very special people.
  4. My website is here, my art is on Etsy, e mio sito in italiano è qui.
  1. Social media: Instagram, Facebook – the art school, my artist page

ILLNESS AS GIFT, ART AS HEALING

view from the Arthouse balcony

Welcome to The Art Of Life podcast…

September’s talk is something of an epic ramble – I explain why, inside – on illness as a bringer of gifts, health and wholeness, and intuitive art as an inimitable force for both navigating illness and transforming it.

61,02 mins

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I talk about how, if you don’t have symptoms, there’s probably something wrong! About why it’s so empowering to view ourselves as whole first, and see our symptoms as a natural expression of something that needs to emerge from inside of us – either from our past, or from what is happening around us right now. This immense subject takes several twists and turns, and ends up with some insight into how and why art can support our healing into our most full and fulfilled self.

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I’ll be releasing new paintings in the middle of the month, again… Stay tuned – some are old ones which are now being re-released.

And the School of Real Art (The SORA) will be releasing THE INTUITIVE ARTIST 101 course – as soon as my health permits.

You can hear more about my healing fund over on my Period Of Illness page, and see below for all other links to my work.

As ever, thank you so much for your support and your interest in my work: it means a great deal to me,

Tantissime belle cose, 

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***THE HAPPY ENDING ***

  1. Infinite gratitude to you from my ♥ if you’ll click on LIKE and/ or comment below! And even more gratitude if you share this – if you know someone who’d be inspired – ♥♥!
  2. Subscribe below and/ or join my newsletter.
  3. Join me on Patreon if you’d like to hear/ see/ read/ get much more insight into my life and work: colour, depth, meaning, creative freedom, the good life, the whole woman… Patreon is my inner circle, where I share most with my very special people.
  4. My website is here, my art is on Etsy, e mio sito in italiano è qui.
  1. Social media: Instagram, Facebook – the art school, my artist page

6 reasons why you SHOULD STEP INTO THE VOID

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♥ BLOG RECLAIMED FROM SEPT 2017 ♥

It was easy, when I first arrived in Italy, to get drawn deep into the panic of having given up all my taken-for-granted familiarity. Despite the fact that there had been a fire under my arse chasing me to Italy, the first months were full of my dwelling on that familiar discomfort of a place where e.g. I was capable of talking on the phone to resolve a bureaucratic issue – and was sure about what side of the road to drive on.

The superficial mind perpetually seeks stability, pattern, anchoring: if it could, it’d probably put the brain in a jar and have it in a secure room, fed by wires and artificial nutriment. In some ways, we’re heading that way – kids not even allowed to learn from experience that fire burns and falling down on concrete breaks skin; no-one letting germs circulate their home any more; everything packaged and everything truly natural to all intents and purposes outlawed. At the end of the day, it gets good-comfy to be laid back on a soft, sterile sofa with the perfect-coloured cushions, in front of an ever-busy TV screen and munching on sugar and slurping down caffeine to keep us perky – to maintain our ‘interest’ in life.

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And it’s nice to have the steady drip of a wage: the knowledge that every single month we will have a familiar amount of money deposited in our lap, which corresponds roughly to the amount that we’ll have to put out into the world. This rhythmic symmetry makes us feel like everything is under control, despite life distractions regularly popping up inconveniently.

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What does it mean to throw all that comfort out, and to go out on a limb – to stand at the end of a diving board above a mysterious ocean, and to simply jump: to enter a new country and culture and start a new life from nothing… what happens? What would happen if we gave up all the comforts and trappings, and chose the unknown, the new, the unfamiliar? (Wouldn’t it destroy us? Or fuck our lives up?! Shouldn’t we be fighting with all our domesticated life force, to hold onto what small territory we have?!!)

But seriously: what happens when we up give up an old life and start in a completely new, unfamiliar place? I’ll tell you:

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ONE: First, it creates a void: a void is something we are all terrified of, and yet it is the space into which the better, the best, the life we REALLY WANT to be living can grow.

The void – space to think, feel, to be present in – is one of the greatest hidden secrets of our time: we’re lured into this compelling mythology of ‘time poverty’, and of being full to the brim, overstimulated, and ready for terror, in every moment of every day.

We seek all kinds of therapy and antidote to this, from holidays in countries with better weather, to titillation of the senses (hard or soft) and over-indulgence: staying up late or pressing the boundary ever-so-gently, but never stepping outside of it.

Ultimately however, we all seek peace and gentleness – we want to be more sensitive and quiet, and we want our day to be full of love and significance: to have this, we need the space, the void. There is no room, otherwise, and to cultivate this space, we have to wean ourselves out of the fear of not being filled up. We have to allow life to open up around and in front of us, rather than clawing to get back in the box we’ve made for ourselves.

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TWO: It makes us realise what inner resources we have – because we have to actually draw on them; use them. In a comfortable life, we rarely challenge ourselves beyond the fluffy yum-numb of our routine.

It feels like fulfilment – but it really isn’t: the human soul needs to experience friction and challenge in order to grow, in the same way a tree needs natural soil and wild weather to get it to its potential.

tile painting, wee fig. II

THREE: It makes us see that we can actually reinvent ourselves; change, travel, upheaval – particularly when they are consciously chosen rather than imposed on us – are the most useful of tools to get us to stretch our minds into what we might also be/ achieve/ dream of.

Staying at home can be satisfying to a degree, but the longer we don’t stretch our legs or hearts or energy, the more accustomed we become to the atrophied version of our self which we’ve elected to prioritise.

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FOUR: It makes us work hard; on ourselves, on our work, on our life and friendships… There is a profound satisfaction in having to make new connections, networks, structures to hold us; there is the deepest meaning and beauty in our having to build a new household, in having to harmonise a chaotic new reality, in having to learn a language and legal system, cultural and religious norms…

And that hard work is more honed than it might be if we are living a stagnant life: it is more specific and necessary. Our compulsion fires up our engine, and gets us more streamlined.

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FIVE: It brings us into a realm of raw creative flow. Most lives are full of complacency, and this sense of ‘this’ being ‘all that there is’ – why bother changing anything, if we already have someone to drink coffee and complain about the weather/ our partner/ our boss with?

If someone is telling us where to go each day, and we still get to ‘wild out’ on payday by buying a new pair of shoes, or getting drunk and laughing excessively, why would we want to re-accept the power-that-flows-through-all-things-when-we-are-aligned-with-our-life-purpose?!

Hmmmmmmn – I wonder.

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SIX: Possibly most importantly of all: putting ourselves into a new and challenging situation like moving to another country makes us appreciate the value of things: we see how hard it is to find a thing which before was always a bancomat and a supermarket trip away.

We see how communication is so much more than constructed word formations, and that a smile or being touched on the cheek can be profoundly moving, confirming our place in the world.

We learn to enjoy what little we have, essentially, rather than seeking more-more-more without questioning whether a thing is really improving the quality of our life. Perhaps our values can even deepen, in time – especially if we’re immersed in a culture which is more rooted in family, spirituality, friendship and nature…

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I wanted to make a statement here; yes, about what the positive side of a challenge like moving abroad can be, but also to remind folks that NONE OF THIS COMES ABOUT EASILY OR INSTANTLY OR BY LUCK – NOR CAN IT BE BOUGHT: it has to be earned, slowly and through hard graft, humility, concerted attention and commitment, love and optimism, and by pushing oneself always to be a better human being. We have to know ourselves, and then too, to know-craft-hone this self into the best we can be.

I wanted to remind myself, and folks who are inspired by what I do: none of my happy creative life – with my own house, in magical medieval Italy – happened by accident, nor was any of it handed to me on a plate; I didn’t stride over here in confidence like many people assume – or saw fictionalised on TV…

I arrived overwhelmed and terrified: nothing flowed well when I got here, and A LOT about the country and culture rubbed me horribly the wrong way. There was a dark night of the soul where I really thought for a while that I had fucked up phenomenally: that I’d thrown it all away and had nothing and had seriously sabotaged my future…

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It feels important to say: I know that many people don’t ever change their lives because they think that one should be strong, confident, healthy, in equilibrium, solvent, and sure of what one is doing, to move abroad, or to make a big life change. You don’t, you simply have to do it, e basta.

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Happiness, freedom, fulfilment grow like plants in a well-tended garden: they don’t appear overnight; they flourish according to whether or not they are planted, and whether or not it’s in the right season and soil, and the good care and attention given to them. They live to their potential not through one big showy action, but through myriad small ones. They yield fruit according to the accumulation of all these tiny attentions and harmonies – and when they are happy and in the right place and time… the fruit is bountiful – and heavenly delicious… And their seeds go on to produce more and more and more life and growth and fruit.

  frontpagecircle

Much love and creative power to you

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Join my newsletter and support me on Patreon if you’d like to keep up-to-date with all my creative outpourings – and if you’re ready to step into your immense creative potential: go and see my online art school.

6 STRONG REASONS WHY YOU SHOULD STEP INTO THE VOID…

It’s my birthday week again! And this is always a beautiful time to reflect on all that I have, all I’ve achieved, all that is coming true of my dreams.

This year is fricking spectacular: the freedoms I sought when I stepped out of what precious little security I had had in Scotland… The freedom was this, and it is now here, as solid and mysteriously epic and wildly magical as I could’ve ever glimpsed in my visionary imaginings: my own home; the deepest and most fulfilling of loving partnerships; my time filled with art and creative living, love and beauty; my view each day as glorious and inspiring as a panorama could ever be; the liberty to express myself deeply and meaningfully in a great spectrum of ways, as the mood takes me; being rewarded for what I do and am – financially yes, but also with friendship, community, heartfelt appreciation; people being inspired by what I do and believe in; being able to contribute to the world, to the universe, in the fullest of ways that I was born to do…

It’s important for me to reflect on how I got here, and to appreciate how hard I worked for it – how hard it was to get to this: 8 yrs ago when, driving from Scotland with my cat and paintings, all the way to Guardia Sanframondi in Italy… Parking my right-hand drive car – barely remembering which side of the road I was meant to drive on each day… Not knowing even how to pronounce the word for ‘bread’, and walking around the town with that particular sense of vulnerability that comes with being a foreign woman alone in a new country…

It was easy, when I first arrived in Italy, to get drawn deep into the panic of having given up all my taken-for-granted familiarity. Despite the fact that there had been a fire under my arse chasing me to Italy, the first months were full of my dwelling on that familiar discomfort of a place where e.g. I was capable of talking on the phone to resolve a bureaucratic issue… where, even if I was cold and damp and miserable, at least I knew where to buy my vegan-organic goodies, and had friends aplenty to discuss Buddhism and ecstatic birth with.

The superficial mind perpetually seeks stability, pattern, anchoring: if it could, it’d probably put the brain in a jar and have it in a secure room, fed by wires and artificial nutriment. In some ways, we’re heading that way – kids not even allowed to learn from experience that fire burns and falling down on concrete breaks skin; no-one letting germs circulate their home any more; everything packaged and everything truly natural to all intents and purposes outlawed. At the end of the day, it gets good-comfy to be laid back on a soft, sterile sofa with the perfect-coloured cushions, in front of an ever-busy TV screen and munching on sugar and slurping down caffeine to keep us perky – to maintain our ‘interest’ in life.

And it’s nice to have the steady drip of a wage: the knowledge that every single month we will have a familiar amount of money deposited in our lap, which corresponds roughly to the amount that we’ll have to put out into the world. This rhythmic symmetry makes us feel like everything is under control, despite life distractions regularly popping up inconveniently.

What does it mean to throw all that comfort out, and to go out on a limb – to stand at the end of a diving board above a mysterious ocean, and to simply jump: to enter a new country and culture and start a new life from nothing… what happens? What would happen if we gave up all the comforts and trappings, and chose the unknown, the new, the unfamiliar? (Wouldn’t it destroy us? Or fuck our lives up?! Shouldn’t we be fighting with all our domesticated life force, to hold onto what small territory we have?!!)

But seriously: what happens when we up give up an old life and start in a completely new, unfamiliar place? I’ll tell you:

  1. First, it creates a void: a void is something we are all terrified of, and yet it is the space into which the better, the best, the life we REALLY WANT to be living can grow. The void – space to think, feel, to be present in – it’s one of the greatest hidden secrets of our time: the best of us are lured into this mythology of time poverty, and of being full to the brim, overstimulated, and ready for terror, in every moment of every day. We seek all kinds of therapy and antidote to this, from holidays in countries with better weather, to titillation of the senses (hard or soft) and over-indulgence: staying up late or pressing the boundary ever-so-gently, but never stepping outside of it. Ultimately however, we all seek peace and gentleness – we want to be more sensitive and quiet, and we want our day to be full of love and significance: to have this, we need the space, the void. There is no room, otherwise, and to cultivate this space, we have to wean ourselves out of the fear of not being filled up. We have to allow life to open up around and in front of us, rather than clawing to get back in the box we’ve made for ourselves.
  2. It makes us realise what inner resources we have – because we have to actually draw on them; use them. In a comfortable life, we rarely challenge ourselves beyond the fluffy yum-numb of our routine. It feels like fulfilment – but it really isn’t: the human soul needs to experience friction and challenge in order to grow, in the same way a tree needs natural soil and wild weather to get it to its potential.
  3. It makes us see that we can actually reinvent ourselves; change, travel, upheaval – particularly when they are consciously chosen rather than imposed on us – are the most useful of tools to get us to stretch our minds into what we might also be/ achieve/ dream of. Staying at home can be satisfying to a degree, but the longer we don’t stretch our legs or hearts or energy, the more accustomed we become to the atrophied version of our self which we’ve elected to prioritise.
  4. It makes us work hard; on ourselves, on our work, on our life and friendships… There is a profound satisfaction in having to make new connections, networks, structures to hold us; there is the deepest meaning and beauty in our having to build a new household, in having to harmonise a chaotic new reality, in having to learn a language and legal system, cultural and religious norms… And that hard work is more honed than it might be if we are living a stagnant life: it is more specific and necessary. Our compulsion fires up our engine, and gets us more streamlined.
  5. It brings us into a realm of raw creative flow. Most lives are full of complacency, and this sense of ‘this’ being ‘all that there is’ – why bother changing anything, if we already have someone to drink coffee and complain about the weather/ our partner/ our boss with? If someone is telling us where to go each day, and we still get to ‘wild out’ on payday by buying a new pair of shoes, or getting drunk and laughing excessively, why would we want to re-accept the power-that-flows-through-all-things-when-we-are-aligned-with-our-life-purpose?! Hmmmmmmn – I wonder.
  6. Possibly most importantly of all: putting ourselves into a new and challenging situation like moving to another country makes us appreciate the value of things: we see how hard it is to find a thing which before was always a bancomat and a supermarket trip away. We being see how communication is so much more than constructed word formations, and that a smile or being touched on the cheek can be profoundly moving, confirming our place in the world. We learn to enjoy what little we have, essentially, rather than seeking more-more-more without questioning whether a thing is really improving the quality of our life. Perhaps our values can even deepen, in time – especially if we’re immersed in a culture which is more rooted in family, spirituality, friendship and nature…

I wanted to make a statement here; yes, about what the positive side of a challenge like moving abroad can be, but also to remind folks that NONE OF THIS COMES ABOUT EASILY OR INSTANTLY OR BY LUCK – NOR CAN IT BE BOUGHT: it has to be earned, slowly and through hard graft, humility, concerted attention and commitment, love and optimism, and by pushing oneself always to be a better human being. We have to know ourselves, and then too, to know craft and hone this self into the best we can be.

I wanted to remind myself, and to folks who are inspired by what I do: none of this happened here by accident, nor was any of it handed to me on a plate. More importantly is that I came from a place of significant fear, grief, illness and imbalance: I didn’t stride over here in confidence like many people assume, throwing it all together in happy nonchalance… I arrived neurotic and shaking, overwhelmed and reactionary, paranoid and terrified, even: nothing flowed well when I got here, and I hated most things about the country and culture. There was a dark night of the soul where I KNEW that I had fucked up phenomenally: that I’d thrown it all away and had nothing, and that I was a mess-up and useless and had sabotaged my future…

And though things got a tad better when I acquired the house, and began settling my roots into this blessed land and my heart into the community, it didn’t get any easier. There was a good 6 + years of anguish and panic, interspersed with tiny blisses and occasional profound beauty… just enough to keep my spirits above the mire, but not always. I struggled with health and social stresses, with financial fears and the strain of trying to stabilise ideas and feelings in a completely different reality.

I want to express this, even if I am repeating myself over the years, because I know that many people don’t ever change their lives because they think that one should be strong, confident, healthy, in equilibrium, solvent, and sure of what one is doing, to move abroad, or to make a big life change. You don’t, you simply have to do it, e basta.

Happiness, freedom, fulfilment grow like plants in a well-tended garden: they don’t appear overnight; they flourish according to whether or not they are planted, and whether or not it’s in the right season and soil, and the good care and attention given to them. They live to their potential not through one big showy action, but through myriad small ones. They yield fruit according to the accumulation of all these tiny attentions and harmonies – and when they are happy and in the right place and time… the fruit is bountiful – and heavenly delicious… And their seeds go on to produce more and more and more life and growth and fruit.

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Much love and creative power to you, Clare xx

 

THE PAIN BODY WE SHARE

responsibilityDETAILresponsibility (detail), 2002, Cyprus

There’s a lot of emotion being thrown around our collective consciousness this week. More than the previous week, despite the heavy fact that just as much death and terrorism was being created (and on our behalf, by our political representatives) over the previous 7 days.

There is so much wrong with the media and with commonly-held perceptions, that I won’t begin to talk about all that, but I’m writing today about something which lies deeper than this surface discourse, and which might serve in this moment to distract from the chaos.

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responsibility, 2002, Cyprus

Firstly, the collective conscious – what is that? It seems to me that there might even be equal and opposing parts of our collective thinking/ being: those of us who are completely unconscious and those who are (or are beginning to be) self-aware.

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Tear Baby, 2000, Findhorn

And then there’s the pain body (I found this phrase useful, listening to Eckhart Tolle recently): the energetic field within and around us, which is locked into a pattern of uncreation and atrophy – rather than creative vitality and expansion.

Tolle describes eloquently how this pain body becomes our actual identity – our reason for being, our means of identifying with others. We share our collective emotional disturbance, because that’s what’s considered the ‘norm’. This makes us highly susceptible to manipulation, both individually (in relationship, family, work, e.g.) and collectively (through media, economics, politics, etc.): it keeps us all in a state on non-conscious tension and anxiety. We blame our suffering on things outside of us, things we (perceive we) can’t do anything about.

(I’ve found other ways of speaking about this ‘body’, through painting intuitively over many years, channeling that deeper wisdom which comes through creative practise and meditation.)

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Running (from the Domestic Alchemy series), 2007

Having been ill recently. I had some deepening insight into the pain body, and the effects I’ve been having both inside and outside myself. I approach illness like a retreat; I know that whatever physical symptoms I have, originate from first mental/ emotional imbalance. And I know that symptoms experienced are linked to behaviours/ patterns leading up to this point, and that I’m in charge of correcting my course – whether or not I take medicine.

In order to be well and happy, we have to look first inwards, rather than seeking to destroy the symptom – which is our teacher!

Illness – or friction – as teacher is a great metaphor for our current collective state; our political and economic warring, our violent foreign policies, our perverse obsession with focussing on the negative, and our absurd falsity around being the righteous victim on the world stage, willingly gulped down daily by the masses.

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Couple With Boundaries, 2000-4, Cyprus and Edinburgh

We have many choices at our current global crossroads. The knee-jerk one is trying to destroy the symptoms, even though they’ve been caused indirectly and directly by ourselves; inflicting even more death and destruction willy-nilly, starting even more people on paths of righteous vengeance, and so on.

Another is that we all begin to look deeper, be more conscious, more aware. We see behind the curtains of the world stage, and we bring light – awareness – to what is suppressed. In this way, we start to see that what we do individually has a radiating effect on our collective situation, our collective ‘pain body’. Rather than reacting out of anger and fear, rather than condoning further violence under the unconscious (and very dubious) thinking of “well, we have to do something!” or “I just want those bastards dead, those people are evil!” – we start instead to look at where do these ‘symptoms’ originate – really: where do they come from, and what are we doing to change that?

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Laughing At Anger, 2001, Burghead

On a personal level, I’m bringing quiet conscious awareness into the part of me which is out-of-kilter, in pain. It is giving me huge insight into how unconsciously I have occupied my body and my mind in recent years… I’m certainly not the most loutish of citizens, but there have been more than a couple of occasions when I’ve chosen to ‘raise my voice’ with indignant negative emotion, rather than presenting enlightened – peaceful – insight.

As my awareness is more infused with light and love, I radiate out that light and love, rather than my own bigotry or indignancy – even though our individual acts seem so small and inconsequential, now more than ever before, we have power to share widely, whatever we are thinking, feeeling, intending. I have optimism we can collectively rise our vibration at times like this.

♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥

I’ll be writing more about the subject of the pain body and transforming creatively, in the Live Like A Happy Artist book series.

Lots of love, Clare xx

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PS! Get a window into my studio, book excerpts, insight, sharing, and very special patron boons which no-one else gets, right here.

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BOOK SERIES!

Sei italiano? Vedi giù- è in italiano!

COLOUR THE WORLD!

I’m making a magical colouring book for grown-up people!

It is something I’ve been ruminating on for several years, but recently found absolutely clarity about how to physically go about it!

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In fact, there has been a multi-levelled alchemy in all the aspects of my writing this month, as a series of books appears to be stretching out in front of me! I had been stuck in a bind, trying to get everything into one book. I got a certain distance with the writing each time, but the scale of it seemed to prevent it really flourishing into fruition.

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For the past few weeks, I’ve been working intensely on an utterly enlightening Kim Anami course; it is opening up my core energy, which in turn is supporting my creative flow in a whole new, vital way.

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One of the most significant aspects of the course, is the balancing of the male and female energetic flow in our bodies and lives: I’ve had to use a lot of masculine energy these years in Italy, to get my house fixed up, to be tough in the face of challenges. But now I am enjoying the more calming feminine phase, where I sit back and allow things to come into my life, rather than striving and doing loads of heavy straining!

workinprogress6I also found that this core work we’re doing on the course is giving me huge confidence to follow my intuition: to let my ideas and creative activity bubble up in their unique way… As a result, I’m getting back into the detailed neat work of hand-made books, rather than looking to have them printed online.

workinprogress4This is such a joy! I love that sense of wholeness, which comes from following a project from beginning to end: where we craft a thing to completion…
I’ll have at least one prototype printed and stitched, by next week, to show you – follow my Patreon campaign, to get all the latest news!

                                                                              Tante belle cose, Clare xx

Thank you so much for reading!

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workinprogress5COLORARE IL TUO MONDO!

Sto facendo un libro da colorare magicale, per le persone adulte!

È qualcosa di che sono stato ruminando per alcuni anni, ma di recente ha trovato assolutamente chiarezza, su come posso rendere fisicamente!

Infatti, vi è stata una alchimia molti livelli in tutti gli aspetti della mia scrittura questa mese, mentre una serie di libri sembra essere estende davanti a me! Mi era stato bloccato in un vicolo cieco, cercando di ottenere tutte le mie idee in un solo libro. Ho ottenuto una certa distanza con la scritta ogni volta, ma la scala è sembrato per impedire che davvero fiorente in fruizione.

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C8Nelle ultime settimane, ho lavorato intensamente su un corso di Kim Anami assolutamente illuminante; si sta aprendo la mia energia nucleo, che a sua volta sostiene il mio flusso creativo in un modo completamente nuovo, vitale.

5  C5Uno degli aspetti più significativi del corso, è il bilanciamento del flusso energetico del maschile e femminile nel nostro corpo e vite: ho dovuto usare un sacco di energia maschile questi anni in Italia, per rinnovare la mia casa, essere duro in fronte delle sfide. Ma ora mi sto godendo la fase femminile e più rilassante, dove mi siedo indietro e lasciare che le cose vengano nella mia vita, invece di lottare e fare un sacco di pesanti sforzare!

workinprogress6Ho anche scoperto che questo lavoro nucleo che stiamo facendo sul corso mi sta dando grande fiducia a seguire la mia intuizione: per permettere le mie idee e attività creativa a salire nel loro modo unico Di conseguenza, sto tornando nel lavoro accurato dettagliato di libri fatti a mano, invece di cercando di averle stampate on-line.

workinprogress4Questa è una tale gioia! Adoro quel senso di completezza, che viene dal seguire un progetto dall’inizio alla fine: dove noi costruiamo una cosa a compimento
Avrò almeno un prototipo stampato e cucito, per la prossima settimana, per mostrarti seguire la mia campagna Patreon, per ottenere tutte le ultime notizie!

                                                                              Tante belle cose, Clare xx

Grazie mille per aver letto!

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chapelroombedfulllandscapeVUOI MAGGIORI INFORMAZIONI SU l’ARTHOUSE?
Segui le etichette in alto a sinistra!

L’Arthouse è un magico B+B : vieni e unisciti ad una bella Italia rurale!

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LONG-TERM RELATIONSHIP

ARRANGED MARRIAGE

Unlike every other person who comes to Italy, I was absolutely not an Italophile when I arrived, having never had, up until meeting un Italiano online, any interest in the country: neither the language nor the food, the fashion nor the folks. It all seemed like a clichè in fact, and not my kind of clichè either.

17166_223120506985_6708118_n‘at least it’s warmer than scotland’, sperlonga beach, december 2009

I remember all my first impressions: overload of the senses (I do suffer with HSP or sensory overload, mind you – hehe!); having come from very rural Scotland at midwinter, the designer-everything of Caserta was kind of a shock to my system. Rural Scottish people don’t always do glamour so well and, though in Scotland I was considered ‘scrubs up well’, my new partner was highly, visibly, verbally unimpressed. Now, where I came from, it was either extremely rude or extremely mean to openly comment on another person’s appearance in an overtly negative way – unless we are all drunk, and all laughing about it together. Continue reading